My home studio where I compose "sound
tracks for imaginary movies"
(spanning blues
to classical to reggae to minimalist styles)
~~~ MUSICAL HISTORY ~~~
The PUBLIC RECITAL
years (1952-1964)
Began playing piano at
age 5 (wanted
to play guitar like Gene Autry, but we had a piano!)
Took classical
piano lessons
for eight years and pop (stride style) lessons for
two years
Active in piano competitions
(right); played
national anthem and school song at all Jr.Hi assemblies
Took drum lessons
for two years - loved
the simplicity compared to the piano
The PRIVATE years (1965-1985)
Didn't play anything for
three years,
then I'd play piano only when I was alone
Finally learned to
strum guitar chords well enough for folk
song singalongs
Got a Hohner Clavinova in 1974 - loved
it because I could play through headphones
The MIDI years (1985-2007)
First composed via
sequencer in 1985
- really loved it because I could edit
out performance mistakes
Started accumulating
equipment for a home MIDI studio (original hutch
shown right) and created Cheap Trills as my
"recording label"
Was honored by
having Faux Glass
(my minimalist tribute to Philip Glass) included in the 2nd
NEMUS (Northwest Electronic Musicians)
compilation tape
My "greatest hits"
include Taco
Bell's Cannon(click the link if it
didn't play automatically when you opened this page) which
was loosely based on Pachelbel's Canon in D Major,
Dark Blue Skies (minor key cover of Blue
Skies), Requiem for South Africa(the
first of my imaginary movie themes), and the two love
songs I wrote to my wife - Pamela
(instrumental version here) and Not on One Knee,
the song via which I proposed.
The OLD FART GOES RETRO (2007-present)
Became enamored with "Old Timey" and bottleneck Delta
Blues guitar music (as demonstrated in the
linked home vieeo by Keni Lee Burgess)
Commissioned Bluesboy
JAG to build an electric 3-string guitar for me
using a Padron wooden cigar box, one of his hand-wound
magnetic pickups, and traditional toothpick frets (right
and below)
Replaced the original
strings with Ernie Ball nickel wound .036", .026", and
.017" strings from a set that would have been the A,
D, and G strings on a normal 6-string electric guitar (my
open tuning is A, E, and an octave higher A)
Slowly learning slide
style (e.g.,
If I Had Possession over Judgment Day by
Robert Johnson)